logo for Royal Botanic Gardens, Kew
Rafael F. De Almeida
Royal Botanic Gardens, Kew
A thorough listing of Colombia’s known fungi.
 
Catalogue of Fungi of Colombia is the first comprehensive listing of the known Colombian fungi. It was compiled by a team of Colombian and international mycologists from the Royal Botanic Gardens, Kew, the Humboldt Institute, and other partner organizations. The catalog is accompanied by fifteen chapters written by specialists providing perspectives on the state of knowledge of the Colombian fungi covering a range of topics, from the diversity of the main groups of fungi and history of mycological studies in Colombia to aspects of the biogeography, ecology, biotechnology, conservation, and uses of Colombian fungi. The catalog is further enriched by supplementary material that allows readers to explore open questions, develop new ideas on the use of fungi and their conservation, and foster social and environmental awareness.
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front cover of The Ethos of Drama
The Ethos of Drama
Rhetorical Theory and Dramatic Worth
Robert L. King
Catholic University of America Press, 2010
For the first time in the history of drama criticism this book uses traditional rhetorical theory to evaluate moral values in plays from Shakespeare's time to the present
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front cover of Flickers of Desire
Flickers of Desire
Movie Stars of the 1910s
Bean, Jennifer M
Rutgers University Press, 2011
Today, we are so accustomed to consuming the amplified lives of film stars that the origins of the phenomenon may seem inevitable in retrospect. But the conjunction of the terms "movie" and "star" was inconceivable prior to the 1910s. Flickers of Desire explores the emergence of this mass cultural phenomenon, asking how and why a cinema that did not even run screen credits developed so quickly into a venue in which performers became the American film industry's most lucrative mode of product individuation. Contributors chart the rise of American cinema's first galaxy of stars through a variety of archival sources--newspaper columns, popular journals, fan magazines, cartoons, dolls, postcards, scrapbooks, personal letters, limericks, and dances. The iconic status of Charlie Chaplin's little tramp, Mary Pickford's golden curls, Pearl White's daring stunts, or Sessue Hayakawa's expressionless mask reflect the wild diversity of a public's desired ideals, while Theda Bara's seductive turn as the embodiment of feminine evil, George Beban's performance as a sympathetic Italian immigrant, or G. M. Anderson's creation of the heroic cowboy/outlaw character transformed the fantasies that shaped American filmmaking and its vital role in society.
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front cover of Stepping Twice Into the River
Stepping Twice Into the River
Following Dakota Waters
Robert King
University Press of Colorado, 2005
What happens when an English professor takes a year off to explore a tiny prairie creek? Between mishaps with the canoe, long walks to the sites of Cheyenne villages and cavalry trenches, and gallons of coffee with isolated farmers, what happens is insight. In Stepping Twice Into the River, Robert King recounts his exploration of the "almost unnoticeable" along North Dakota's Sheyenne River, from its headwaters to river's end. With each experience along the way - tracing a military campaign, canoeing the river, visiting a ghost town and even trying to sleep in an ancient Cheyenne village - King examines a different aspect of the plains: Native American culture, pioneer society, religion, war, agriculture, and nature.

Blending travel narrative and poetic reflection, Stepping Twice Into the River takes readers on a journey through time, revealing both stability and change and offering prairie wisdom. An affectionate and shrewd observer, King illuminates the ordinary from the perspectives of history, science, and literature. In the hands of this gifted thinker and writer, local facts yield universal metaphor.

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